There are 3 different ways to use a compressor. This is where you’ll actually set the compressor and make sure it sounds nice. Turn up the send’s volume and you should have two different tracks playing the same sound! If you aren’t sure how aux tracks work, google your DAW’s name followed by “create aux track.” That should help you find what you need! Make sure your send’s output is set as your new aux track. Next, go to the audio track you’re trying to duplicate. In other words, aux tracks play an exact copy of other channels in your DAW. Instead you send the audio from another channel to them. Then, you’ll want to create an “aux channel” in your DAW.Īux tracks are a lot like audio tracks, but you can’t record to them. This kick drum sounds a little wimpy, so I’ll beef it up with some parallel compression. Whether you want natural sounding compression or obvious, energetic pumping, parallel compression is an incredible mixing tool.įirst things first, you’ll need a track that you want to compress. If you really crushing heavy parallel compression and mix it in lightly, then you can really highlight a track without making it too loud. It’s also really helpful if you want to make an instrument punch through a mix. In other words, it’s great at natural compression. With parallel compression you can easily control the dynamics of an instrument without making it sound like it’s been compressed. Tons of mixing engineers love parallel compression. Both of them are playing the same sound, but one’s compressed and the other isn’t. So you end up with two different channels. With parallel compression, you duplicate a sound and only compress the duplicated version. The old school way of compression is great, but sometimes you don’t want the whole thing to sound compressed. Parallel compression works a little differently. How do you usually compress an instrument? Slap a compressor on it, right? Until now, everyone has been teaching production totally backward.īut if you just want to learn about Parallel Compression specifically, keep reading. We put together a brief training that covers a totally new approach to music production. I’m guessing you’re here because you want to make your mixes sound professional. Get industry-quality every time (steal this framework) In this complete guide, I’m going to teach 9 parallel compression hacks so you can get the most out of this incredible technique. If you aren’t careful, compression can make your instruments sound over-processed and flat. Want your mixes to sound full and more controlled? Compression is the foundation of a steady, professional sounding mix.īut it’s really easy to go overboard.
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